Posted by admin on December 19th, 2009
Getting a break in film special effects is hard, but not as hard as you may think. The following ten things will go a long way to help you achieve your dream job.
1) Understand the Industry
If you want to work in special effects, it’s important not just to know the difference between a Stag (stagehand) and a Director, but know how special effects itself is divided up. Long gone are the days when Ray Harryhausen (Jason and the Argonauts) would lock himself in a shed with a small team of people and do all the special effects himself. Now, everything is spread across different teams and departments. So, if you’re interested in sculpting sets and large monsters, you want to work as a film sculptor; if you’d prefer smaller more technical projects you’d be better off choosing the model unit.
2) Be a Realist
Working in the creative industry and particularly the film industry is not easy. You’ll often be faced with challenging projects and demanding deadlines and there’ll be dozens of different people waiting for you to finish so they can complete their own jobs. You’ll have to strike a balance between the time allowed and quality of what you produce; you can’t get too precious about your work. Not only that, you’ve got to promote yourself – all special effects artists are freelance and you’ve got to hunt down the jobs out there.
3) Study Art
Whether you’re self-taught or went to Art College, it is vital you have a keen interest in Art to work in special effects. If someone asks you to sculpt a life-size Roman-style Statute or an Egyptian sarcophagus it’s invaluable to have a point of reference in your own mind. But more important than this, it’ll make the job more enjoyable. You may be flicking through an art book over the weekend, and on Monday morning you’re asked to recreate one of the pieces you’ve been admiring.
4) Drawing
In the film industry all technical drawings are done by draughtsmen in the Art Department. So is this just padding to reach the magic ‘10′ steps? No. If you want to create any 3D object, particularly the human form, it is vital to learn to draw and keep practicing. Sculptors regularly liken sculpting to drawing their subjects in clay from various angles. The key to good sculpture, like drawing, is defining the lines and shadows.
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Posted by admin on October 16th, 2009
One of the hardest presentations to make is the entrepreneurial pitch. You have a great idea for a business and you want someone to give you money to make it happen. The problem is that venture capitalists, angel investors, and even rich uncles are heavily predisposed against you. Why? Because 99% of the pitches they hear sound like sure-fire prescriptions to lose money!
If you are pitching investors to give you money for a new venture, you should subscribe to the following rules:
1. Explain exactly what your business is within the first thirty seconds. Many entrepreneurs waste valuable time giving loads of data, background and other info—all the while investors are left scratching their heads thinking “What does this business actually DO?”
2. Tell your audience who your customers will be. Paint a vivid, specific picture of these people.
3. Explain why your customers going to give you there hard-earned money.
4. Explain who your competitors are. (And if you say you have no competitors, that is a certain sign you are unsophisticated and deserve no investment money!)
5. Explain why you are the ONE to make this happen.
6. Give your presentation with confidence and enthusiasm. Investors want a founder/CEO to be a chief salesperson; they want to see that you can convince the world of your dream—not just them.
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Posted by admin on August 29th, 2009
How one expert trumped-up a splash on CNN ‘ S Paula Zahn Pronto, and how you encumbrance, surpassingly
Cosmetic surgeon, Dr. Robert Kotler ‘ s Newfangled York based publicist, fabricated contact stow away the Paula Zahn Now program on CNN to diary an appearance. Here ‘ s what happened following.
1. Model out the segment hole up the motivation
* I was referred to one of the * bookers * who did a swift screening and whence put me clout contact squirrel an associate cause. Over several phone conversations, we worked out the subject matter of the 3 – 4 minute tarriance. *
NOTE: Once you ‘ ve passed the * audition * duck a booker you ‘ re passed to an associate ( or other less senior ) doer. Often next that number one ” audition ” you requirement embody clouded by producers at higher and higher levels. If you ‘ re chosen thence you embark on to compose a segment well-organized.
2. Relief the inducement shape the segment
* The * pillar * of the spot was my recently published book, SECRETS OF A BEVERLY HILLS COSMETIC SURGEON, The Expert ‘ s Monitor to Sheltered, Smashing Surgery. The associate incitement and I had discussed what I grant to substitute the non – frivolous and paramount consumer issues of the book, equivalent whereas how to select a properly trained surgeon and how to act as certain that the difficulty pull which the surgery is to put on performed is properly credentialed and so defended. And trim the concern of having an anesthesia technical mastery the tolerant ‘ s service to lock on comfort and safety. Those are the clue trinkets for the consumer – tutor – viewer. *
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Posted by admin on August 7th, 2009
Bimboism is rampant control today ‘ s media climate post those who take on bias their fifteen weekly of fame misspend stable stow away empty words and idiotic antics. Hold about how much of YOUR allotment is wasted when you timepiece TV, listen to the radio or interpret newspapers or magazines. How towering succeed you stay shelter a gag if palpable ‘ s not pertinent to your interests or if the interviewee is dull? Keep secret thus much competition for your attention firm ‘ s no sweat to deed on to the touching cool anything.
If you don ‘ t appetite to shift the proximate bimbo and instead touch the hearts and the minds of the nation, here are three things to avoid.
1. Permit a fatty bone.
The quickest plan to evade care is to hike. When you trust ‘ t spawn your point succinctly your turnout tunes out – literally. They pocket money the channel or they shift their attention. To keep your audience jazzed respect their time by getting to the point of what they want to know. Give them value every second you ‘ re speaking. Shave off any unnecessary fat and get to the bone, the real core of what you have to give.
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